If anyone can summon a notion of who Phil Alden Robinson is off the top of their head, it’d be a remarkable feat. Having directed
Fletch, a classic in its own right, back during the eighties, Robinson didn’t work in features at any significant pace. A few films followed, but in 1992, he returned with
Sneakers, which time hasn’t been ridiculously kind to. There’s no reason for that, though.
Admittedly, not much more than another heist film, Sneakers details the exploits of a crew specializing in security. As a twist, though, the clan, as helmed by Robert Redoford, but including everyone from Sidney Poitier to Dan Aykroyd and River Phoenix, show companies their collective security flaws by perpetrating break-ins and robberies. Pretty interesting, huh. With such an odd specialty, it shouldn’t be a surprise that everyone involved has some sort of weird record their either hiding or escaping. As it turns out, the Redford character was a sixites’ radical who miraculously escaped arrest by virtue of going out for pizza. His partner – played by none other than Ben Kingsley - wasn’t as lucky and did some hard time, only to emerge as the Mafia’s go to guy for numbers.
The Redford character gets wrangled by some mysterious arm of the government and winds up being forced to investigate a scientist, leading back to the Kingsley character. The whole thing’s kinda preposterous, but in a James Bond kinda way. And while there aren’t too many utterly gripping moments – and certainly none involving Annette Benning – on the whole, Sneakers doesn’t offer up too many dull moments.
Working within the heist vacuum – but not as uniquely as, let’s say, Rififi – Robinson allows for each character to receive enough screen time to develop something of a personality. Even the Phoenix character goes and shows viewers he’s still a kid by asking an FBI agent for her phone number. Nothing here winds up being ground breaking, but at the point in each performers career Sneakers found them, there’s a wealth of good acting and something of a ridiculously talented cast. Not winning any awards isn’t a surprise. And most likely, the film won’t end up in a BFI list anytime soon. But whatever your personal view on heist flicks or the assembled talent here, Sneakers is worth a watch for nothing else other than Aykroyd’s character talking to Poitier about aliens. That’s just plain crazy.